I want to be clear that the audience that is discussed here is not a group of people who have any involvement in the creative process of the scenography work, but instead participate in the finished product. The scenery will help the audience to understand how they relate to the play work. The zoning of [...]


"Being creative is not so much the desire to do something as the listening to that which wants to be done: the dictation of the materials."  Anni Albers "As basic rules of language must be practiced continually, and therefore are never fixed, so exercises toward distinct color effects never are done or over. New and [...]

"It is necessary to recover the primeval force of the shock taking place at the moment when opposite a man (the viewer) there stood for the first time a man (the actor) deceptively similar to us, yet at the same time infinitely foreign, beyond an impassable barrier." Tadeuzs Kantor For more information and references about [...]


Scenographers can be a bridge between a scenic director and the receptors. To do it, we use aesthetic communication to induce an emotional response in the public. We feel comfortable working from a second row, behind or next to others, creating athmospheres that surround the action, and also giving to the public and the actors the kind [...]